The 25th Biennale of Sydney is dedicated to the concept of Rememory as "a means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed. Rememory signifies the intersection of memory and history, where recollection becomes an act of reassembling fragments of the past—whether personal, familial, or collective.”
Belinda Kazeem-Kamiński's works – Unearthing. In Conversation (2017), Strike A Pose (2017-2021), and Schebestas Schatten (2017/2021) – are exhibited at the Chau Chak Wing Museum at the University of Sydney. Her contribution is supported by Phileas – The Austrian Office for Contemporary Art.
The 25th Biennale of Sydney is dedicated to the concept of Rememory as "a means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed. Rememory signifies the intersection of memory and history, where recollection becomes an act of reassembling fragments of the past—whether personal, familial, or collective.”
Belinda Kazeem-Kamiński's works – Unearthing. In Conversation (2017), Strike A Pose (2017-2021), and Schebestas Schatten (2017/2021) – are exhibited at the Chau Chak Wing Museum at the University of Sydney. Her contribution is supported by Phileas – The Austrian Office for Contemporary Art.